Octopussy 1983

**One of the best of the James Bond series** Forget the dour, bland rubbish of the Daniel Craig era - Octopussy is how a James Bond film should be! **FUN!** The franchise has always been over the top ever since we saw _Sean Connery's James Bond wearing a strap on plastic seagull hat in the classic Goldfinger_ and Octopussy continues that absurdity only this time with Roger Moore. So anyway, here 007 is on the trail of a smuggling ring whilst also trying to stop a crazed Russian general (Steven Berkoff in an amazing performance) from starting WWIII. Beautiful looking film makes the most of the India. Some great stunt work - including a finale on top of a plane, John Barry providing a lush score, lashings of humour and a fair amount of tension - Bond disarming a nuclear weapon in a circus tent is very effective. A very _violent_ film - here, we can see Roger Moore's 007 shooting a young Russian soldier through the forehead. _Positively shocking_! You probably get the general idea by now that I like this one a lot. Great Bond film. - Potential Kermode

_**Roger Moore, Indiana Jones, India, Germany, Circuses, Russians, Trains, Time Bombs and Babes**_ Roger Moore's stint as James Bond lasted a whopping 12 years from 1973 to 1985. Moore started as Bond when he was 45 years old and ended when he was 57. The seven films he did are as follows: LIVE AND LET DIE (1973), THE MAN WITH THE GOLDEN GUN (1974), THE SPY WHO LOVED ME (1977), MOONRAKER (1979), FOR YOUR EYES ONLY (1981), OCTOPUSSY (1983) and A VIEW TO A KILL (1985). All seven were hugely popular at the box office, which explains why they kept making 'em every two years. Many Bond fans curiously look down on Moore's stint, no doubt because there was a little too much silly humor in his films but, to me, the Moore entrees are the most consistently entertaining. There's not a dud in the bunch; even the heavily maligned “Moonraker” is phenomenal. The Connery films were a little more serious, with the exception of “Diamonds are Forever,” and Sean is the quintessential Bond figure because he expertly established the role, but I ENJOY Roger Moore's stint more than any of the others. His movies have the most re-watch merit for me. Some argue that by the time of “Octopussy” Moore was too "long in the tooth," but I don't see that. He may have been 54 years-old when “Octopussy” was shot and 56 in “A View to a Kill,” but it didn't matter. Moore ALWAYS looked perfectly convincing as James Bond, whatever his age. As to the story, is it really necessary to go into detail about the convoluted plot of “Octopussy”? Every Bond film features a main villain and a few accomplices/subordinates who want to cause great havoc; Bond defies death at every turn and runs into numerous beautiful women as he moves from one exotic locale to another trying to figure out the villains' scheme and stop it. “Octopussy” was filmed on location in India, East Germany & England, with the closing aerial scenes shot in Utah; these settings are fabulous as usual. We also get circuses, clowns, trains, mad Russian militarists and bombs-about-to-explode. One thing that distinguishes “Octopussy” is that it has more of an Indiana Jones appeal than any other installment, which stands to reason since Indiana Jones was hugely popular at the time (“Raiders of the Lost Ark” came out two years earlier while “The Temple of Doom” would come out the year after “Octopussy”). The "Bond women" featured in “Octopussy” are Sweden's own Maud Adams (who previously appeared in “The Man with the Golden Gun”) and Kristina Wayborn. I personally never found towering Maud very appealing, but Kristina has an exotic charm, although she needs to gain like 10 pounds. There are numerous other peripheral women in the film like Midge, the short brunette with full hair, and the East Indian beauty that aids Bond during the opening teaser, not to mention several circus babes. You either like James Bond films or you don't. You either like Roger Moore as James Bond or you don't. Although, their plots will often make your head spin, these movies are nothing deep. You won't derive many nuggets of wisdom. They're essentially mindless adventure flicks with political intrigue highlighted by exotic locales and beautiful women. Their express purpose is to entertain, not enlighten. It's escapist fantasy/adventure, pure and simple. “The Spy Who Loved Me” is usually cited as the best Moore-era Bond picture, and I agree that it’s a great Bond flick, but “Octopussy” ranks pretty high as well and is arguably the top one. As with most of Moore's Bond films, “Octopussy” throws in a bit o' goofy humor, but it's basically a serious story. It has a little Indiana Jones flare and features India, Germany, scheming Russian militarists & Afghan princes, gorgeous women, incredible action sequences, circuses, clowns, time bombs and trains. What moore could you want in a Bond pic? The film runs 2 hours, 10 minutes. GRADE: A-

I don't mind Moore as Bond, he's certainly not my favorite, I'm not the biggest fan of the silliness, but he has some 007 films that would make my top 10 list and... ... this is NOT one of them. In the only thing I want to write in this review is "It is so unbelievably bad." And not like Moonraker way to over-the-top even for a 007 film bad, but just absolutely horrible bad. And Moore was clearly a bit too old to play 007 at this point. So he kind of looked like Grandpa 007. And that doesn't work too well for stunts (ask Liam Neeson), it sort of makes it unbelievable. And then there is the plot that was a little too.... done before to be really good. It took elements from several other 007 films, strung them all together, and hoped no one would notice. And by Octopussy, the Moore era silliness was starting to wear thin, especially after films like The Spy Who Loved Me and For Your Eyes Only, that underplayed that aspect enough to make truly great installments to the franchise.

Maybe the last of the great 007 films. This one has it all. It has a big theatrical beginning with a clown running for his life from two knife throwing twins. Well, the clown isn't 007, so you know what happens to him. It's an excellent start for an excellent theatrical story. The "plot" is a bit strange. There's a sort of jewel that is really hiding something more important, and it involves a kill crazy Russian general and a classic villain played by Jordan. The wit is great in this one, and Jordan gets to eat up a lot of the lines, as does Moore. The scenery is great, the women are beautiful, the wit is charming, the action is outstanding. What's not to like? Well, the story could make a bit more sense, but the theatrics carry this one through.

This is my favourite Roger Moore outing as Ian Fleming's "007". A good, solid adventure story with Louis Jourdan as the ruthless, scheming "Kamal Khan" and Maud Adams as the equally ruthless, but far more glamorous "Octopussy" who are both involved in some seriously high-end jewel smuggling to fund a Soviet nuclear attack on NATO by the rogue Steven Berkoff (“Gen. Orlov"). The action flows quickly and smoothly, with some fun cameos from a racket-wielding Vijay Amritraj and Albert Moses as a sort of lethal "Oddjob" in a turban. Sure, there are plenty of double-entendres but there is also a much better cohesion to the story than with many of the others, less crass innuendo - actually a decent thriller lurking underneath the traditional "James Bond" wrapping that is largely down to strong, characterful, performances for the quartet of baddies and a good script for Moore to deliver with more than a soupçon of glint in his eye. An under-rated theme song from Rita Coolidge (via Messrs. Barry & Rice); some decent aerial photography at the start and cracking locations all contribute strongly too.