I Hired a Contract Killer 1990
7.2 / 10
I Hired a Contract Killer
After losing his job and realizing that he is alone in the world, a businessman opts to voluntarily end his life. Lacking courage, he hires a contract killer to do the job. Then, while awaiting his demise, he meets a woman and promptly falls in love.
After losing his job and realizing that he is alone in the world, a businessman opts to voluntarily end his life. Lacking courage, he hires a contract killer to do the job. Then, while awaiting his demise, he meets a woman and promptly falls in love.
Videos & Photos
All 0 Videos & 9 Photos
cast
Full Cast & Crew
... Henri Boulanger
... Margaret
... The Killer
... Departmen Head
... Secretary
... Landlady
User reviews
See All 1 Reviews23 Jun 2021 by CRCulver
Very early in his career, the Finnish auteur Aki Kaurismäki established an aesthetic for his films in colour that has held for decades now: the characters are blue-collar people struggling to get by, and whatever emotions they feel, their lines of hatred, love, hope, or disappointment are communicated in an utterly deadpan, monotone fashion. The scenery is usually drab industrial buildings and rusting dockyards. Kaurismäki's 1990 film I HIRED A CONTRACT KILLER moves that formula, developed in his native Helsinki, to London. This is not the posh London of the royal family, bankers or socialites. Kaurismäki managed to find completely dilapidated locations that I would have never imagined to exist in London of that time (though no doubt they've long since been gentrified beyond recognition at this point). Henri Boulanger (Jean-Pierre Léaud), a timid Frenchman living in London with no apparent friends or surviving family, has worked for fifteen years for a state utility. When he is made redundant in a bit of Thatcher-era privatization, he feels he has nothing more to live for. He attempts suicide twice, both tries ending in morbidly humorous failure, and he lacks the courage to try any further. He decides to enter the East End criminal underworld and to hire a paid assassin to kill him. The mob boss takes Henri's money and tells him it will be done through a subcontractor. But when Henri meets the lovely Margaret (Margi Clarke) and starts coming out of his shell, he suddenly has second thoughts. Unable to call off the job, he and Margaret try to evade the hitman (Kenneth Colley), already on Boulanger's trail. Kaurismäki's films are, to a large extent, dark comedies, and there are some laughs here. I also appreciated the element of homage to Kaurismäki's forebears and peers here. Colley's sad hitman and the way the shots frame him was surely drawn from the crime capers that Jean-Pierre Melville shot in his last years. Kaurismäki's perennial love for drab scenery had been boosted by his newly established friendship with Jim Jarmusch, a director who presented America at this time as so many vacant lots and abandoned buildings. Still, I wouldn't consider this among Kaurismäki's best work. One of the things that makes Kaurismäki's main, Finnish-language output so hilarious is that the characters speak in literary Finnish (nearly a different language than colloquial Finnish). When the dialogue is in English and with a mix of UK accents, the formula is not quite as effective. Jean-Pierre Léaud's English is almost incomprehensible -- the actor has been a titan of French film since the New Wave of Truffaut and Godard, but he's not proficient enough in English to do English-language cinema. Kaurismäki no doubt wanted intended the character to sound that way, but it feels off for this viewer. I'd recommend this film only to those who have enjoyed a series of Kaurismäki's stronger films of the era like the so-called "Proletariat Trilogy"
Release Date:
Oct 12, 1990 (Finland,France,Germany,Sweden,United Kingdom)
Run Time:
1hr 20`
MMPA Rating:
Original Language:
English
Production Countries:
Finland,France,Germany,Sweden,United Kingdom
Status:
Released
Plot Keywords:
Related Movies To
I Hired a Contract Killer
Very early in his career, the Finnish auteur Aki Kaurismäki established an aesthetic for his films in colour that has held for decades now: the characters are blue-collar people struggling to get by, and whatever emotions they feel, their lines of hatred, love, hope, or disappointment are communicated in an utterly deadpan, monotone fashion. The scenery is usually drab industrial buildings and rusting dockyards. Kaurismäki's 1990 film I HIRED A CONTRACT KILLER moves that formula, developed in his native Helsinki, to London. This is not the posh London of the royal family, bankers or socialites. Kaurismäki managed to find completely dilapidated locations that I would have never imagined to exist in London of that time (though no doubt they've long since been gentrified beyond recognition at this point). Henri Boulanger (Jean-Pierre Léaud), a timid Frenchman living in London with no apparent friends or surviving family, has worked for fifteen years for a state utility. When he is made redundant in a bit of Thatcher-era privatization, he feels he has nothing more to live for. He attempts suicide twice, both tries ending in morbidly humorous failure, and he lacks the courage to try any further. He decides to enter the East End criminal underworld and to hire a paid assassin to kill him. The mob boss takes Henri's money and tells him it will be done through a subcontractor. But when Henri meets the lovely Margaret (Margi Clarke) and starts coming out of his shell, he suddenly has second thoughts. Unable to call off the job, he and Margaret try to evade the hitman (Kenneth Colley), already on Boulanger's trail. Kaurismäki's films are, to a large extent, dark comedies, and there are some laughs here. I also appreciated the element of homage to Kaurismäki's forebears and peers here. Colley's sad hitman and the way the shots frame him was surely drawn from the crime capers that Jean-Pierre Melville shot in his last years. Kaurismäki's perennial love for drab scenery had been boosted by his newly established friendship with Jim Jarmusch, a director who presented America at this time as so many vacant lots and abandoned buildings. Still, I wouldn't consider this among Kaurismäki's best work. One of the things that makes Kaurismäki's main, Finnish-language output so hilarious is that the characters speak in literary Finnish (nearly a different language than colloquial Finnish). When the dialogue is in English and with a mix of UK accents, the formula is not quite as effective. Jean-Pierre Léaud's English is almost incomprehensible -- the actor has been a titan of French film since the New Wave of Truffaut and Godard, but he's not proficient enough in English to do English-language cinema. Kaurismäki no doubt wanted intended the character to sound that way, but it feels off for this viewer. I'd recommend this film only to those who have enjoyed a series of Kaurismäki's stronger films of the era like the so-called "Proletariat Trilogy"
Cast & Crew of
I Hired a Contract Killer
Directors & Credit Writers
... Second Assistant Director
... First Assistant Director
KL
Kari Laine... Second Assistant Director
Cast
... Henri Boulanger
... Margaret
... The Killer
... Departmen Head
... Secretary
... Landlady
... Cab Driver
NT
Nicky Tesco... Pete
... Al
... Killer's Boss
TA
Tex Axile... Bartender
... Receptionist
... Frank
... Guitarist
... Jeweller
... Vic
EE
Ette Elliot... Daughter
RP
Roberto Pla... Bongo Man
EL
Erkki Lahti... Man at Window (uncredited)
... Flower Seller (uncredited)
Produced By
... Production Assistant
... Unit Production Manager
... Assistant Location Manager
Videos & Photos of
I Hired a Contract Killer
Photos ( 9 )
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